ĭaniel Kaluuya in a scene from the movie "Get Out." (Universal Pictures) It’s an often funny, not especially academic survey, with stops for the horror parodies in “Key & Peele” and a litany of “ridiculous voodoo movie concepts,” but also an exhaustive taxonomy of Black character types in horror, a smart appreciation of “The Purge” franchise, a nod to 1970s cult favorite “Blacula,” a pocket history of Black actors and filmmakers in horror, a chapter on religion in Black horror. Harris - whose is itself a bottomless resource tracing the highs and lows of the Black experience in scary movies (including “Scary Movie”) - she wrote a new book with an ancient trope right in the title: “The Black Guy Dies First: Black Horror Cinema, From Fodder to Oscar.” The cover illustration is a clever mashup that summarizes where Coleman and Harris are coming from: A Black Power fist explodes out of a cemetery lawn, “Carrie”-like. Coleman can rattle off those moments of good sense, and more decades of stereotyping, all day. “Nope,” she says, turning around, opting out.Įven decades ago, in that first season of “Saturday Night Live,” Richard Pryor’s parody of “The Exorcist” found him as a pastor deciding the only sensible way to reason with a devil was.
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